THE BEST SIDE OF CHARLIE CHAPLIN'S "THE CIRCUS" (1928)

The best Side of Charlie Chaplin's "The Circus" (1928)

The Buster Keaton character has his feet on the ground. He can be ashamed to parade his goodness. He takes advantage of ingenuity as opposed to divinity. Chaplin’s untidy like lifestyle suggests he felt he deserved whomever he wanted; Keaton in private existence appears to are melancholic due to alcoholism, but a decent adequate form with Females

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